From the Margins 21/01/2025 From the Margins 21/01/2025

What Makes a Compelling Institutional Solo Exhibition?

Reviewing the SG Artist series at NGS

From the Margins 25/10/2022 From the Margins 25/10/2022

Review of ‘Nothing is Forever’ at NGS

A welcomed shift in curatorial sensibility

From the Margins 03/12/2020 From the Margins 03/12/2020

Review of 'Georgette Chen: At Home in the World'

Major retrospective of a key figure in Singapore modern art

From the Margins 17/08/2020 From the Margins 17/08/2020

Review of Cao Fei’s ‘Fu Cha’

Navigating choppy seas in a global pandemic

From the Margins 20/04/2020 From the Margins 20/04/2020

Review of Latiff Mohidin: Pago Pago

Comprehensive show at National Gallery Singapore

From the Margins 01/04/2020 From the Margins 01/04/2020

Review of 'Modern Art of Southeast Asia: Introductions from A to Z' by Roger Nelson

Rethinking form, content and accessibility

From the Margins 03/01/2020 From the Margins 03/01/2020

Review of Singapore Biennale

Models of change at NGS and LASALLE sites

From the Margins 25/07/2019 From the Margins 25/07/2019

Review of 'Awakenings' at National Gallery Singapore

A Window into Art in Society in Asia 1960s-1990s

From the Margins 26/12/2018 From the Margins 26/12/2018

A Review of 'Ambitious Alignments: New Histories of Southeast Asian Art, 1945-1990'

A compelling addition to the reading list

From the Margins 19/11/2018 From the Margins 19/11/2018

A Review of 'Minimalism: Space. Light. Object.' in Singapore

The ambitious survey breaks new ground but only begins to scratch the surface

From the Margins 11/09/2018 From the Margins 11/09/2018

A Review of 'Wu Guanzhong: Expressions of Pen and Palette' at National Gallery Singapore

NGS misses the hat-trick in its third exhibition dedicated to the Chinese ink master