Margins Print 25/08/2021 Margins Print 25/08/2021

My Own Words: ‘Abstraction of Breathing’ in Myanmar

New media and multidisciplinary art

Margins Print 04/08/2021 Margins Print 04/08/2021

Modern Southeast Asian Artists of Note

Kim Lim, Pacita Abad, IGAK Murniasih and more

Margins Print 31/07/2021 Margins Print 31/07/2021

My Own Words: [Behind The Scenes]

The “Instagrammable” resistance in Thailand

Margins Print 31/07/2021 Margins Print 31/07/2021

My Own Words: Beyond Trauma

On Myanmar art during the Spring Revolution 2021

Margins Print 26/07/2021 Margins Print 26/07/2021

From Gwangju to the Globe

Solidarity in Contemporary Korean Art

Margins Print 24/06/2021 Margins Print 24/06/2021

LANDING Panel 4⁣ | How do estates keep their artists’ legacies alive?

Pio Abad and Alex Turnbull

Margins Print 24/06/2021 Margins Print 24/06/2021

LANDING Panel 3 | How do art dealers conduct business “as usual”?

Sukontip Fon Prahanpap, Lim Wei-Ling, Santy Saptari

Margins Print 24/06/2021 Margins Print 24/06/2021

LANDING Panel 2 | How do we carve out and sustain independent agendas?

Dominic Zinampan, Ha Dao and Reaksmey Yean

Margins Print 24/06/2021 Margins Print 24/06/2021

LANDING Panel 1 | How do young artists navigate their artistic coming of age?

Divaagar, Quỳnh Lâm, Kamolros Wonguthum

Margins Print 07/06/2021 Margins Print 07/06/2021

My Own Words: Ha Dao on MATCA

Conversations on Vietnamese photography

Margins Print 31/05/2021 Margins Print 31/05/2021

Art Basel Hong Kong 2021 Report

OVR, Satellite Booths and “Holo-Meet”

Margins Print 31/05/2021 Margins Print 31/05/2021

My Own Words: In Limbo

Between Souss-Massa and ‘Zzyzx’ in Manila

Margins Print 18/05/2021 Margins Print 18/05/2021

The Rise of Alternative Art Biennials

Womanifesto, Bangkok Biennial, Kamias Triennial, Power Play SG

Margins Print 17/05/2021 Margins Print 17/05/2021

How Can Art Biennials Continue to be Relevant?

Curatorial Education and Possibilities of the Exhibitionary Form

Margins Print 21/04/2021 Margins Print 21/04/2021

My Own Words: Logics and Leeways

Curatorial Education and Possibilities of the Exhibitionary Form

Margins Print 20/04/2021 Margins Print 20/04/2021

NFTs: The Good, The Bad, The Uncertain Future

Southeast Asian artists experiment with digital artworks

Margins Print 08/04/2021 Margins Print 08/04/2021

Nổ Cái Bùm in Huế and Đà Lạt

Art as Non-Structural Mitigation in Central Vietnam

Margins Print 07/04/2021 Margins Print 07/04/2021

Art Basel and UBS Global Art Market Report 2021

More from Dr Clare McAndrew and Adrian Zuercher

Margins Print 17/03/2021 Margins Print 17/03/2021

My Own Words: Health-Oriented Artistic Projects

The future of our art world?

Margins Print 03/02/2021 Margins Print 03/02/2021

SAW Art Symposium | Grounded and Ready for Take Off: Flight Plans for 2021

Yanyun Chen, Khai Hori, Adele Tan, Josephine Kelliher

My Own Words: ‘Abstraction of Breathing’ in Myanmar

Modern Southeast Asian Artists of Note

My Own Words: [Behind The Scenes]

My Own Words: Beyond Trauma

From Gwangju to the Globe

LANDING Panel 4⁣ | How do estates keep their artists’ legacies alive?

LANDING Panel 3 | How do art dealers conduct business “as usual”?

LANDING Panel 2 | How do we carve out and sustain independent agendas?

LANDING Panel 1 | How do young artists navigate their artistic coming of age?

My Own Words: Ha Dao on MATCA

Art Basel Hong Kong 2021 Report

My Own Words: In Limbo

The Rise of Alternative Art Biennials

How Can Art Biennials Continue to be Relevant?

My Own Words: Logics and Leeways

NFTs: The Good, The Bad, The Uncertain Future

Nổ Cái Bùm in Huế and Đà Lạt

Art Basel and UBS Global Art Market Report 2021

My Own Words: Health-Oriented Artistic Projects

SAW Art Symposium | Grounded and Ready for Take Off: Flight Plans for 2021

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