What do I know? I'm 'Sitting on the Fence'
Lyrical responses to Genevieve Leong’s solo show
Review: These Paper Boots are Kicking in Chicago
Lê Hiền Minh’s ‘Parallel to Hell’ at Co-Prosperity, Chicago
Anita Magsaysay-Ho and Nena Saguil’s Rendezvous
‘Material Inspirations’ at the Metropolitan Museum of Manila
What Makes a Compelling Institutional Solo Exhibition?
Reviewing the SG Artist series at NGS
Review of ‘The Curious Adventure of Madame Điềm’s Modules’
Điềm Phùng Thị's sculptures at The Outpost Art Organisation, Hanoi
Review of ‘Primate Visions: Macaque Macabre’ by Natasha Tontey
Commissioned by Audemars Piguet Contemporary, presented at Museum MACAN
Melissa Tan’s ‘Parts, Shared & Allotted Portions’ at Haridas Contemporary
Among the artist’s most compelling sculptures
Foreigners Among Us: A Review of ‘The Spirits of Maritime Crossing’
Curated by Dr. Apinan Poshyananda
Kimberly dela Cruz and Hannah Reyes Morales Capture the Filipino Strongman
2023 World Press photographs
35th Bienal de São Paulo and 60th Venice Biennale
Indigenous narratives in contemporary art
The Agi in Motion According to Baklang Kanal’s ‘Swardspeak’
Austere Rex Gamao as performed in Quezon City
Song-Ming Ang’s ‘Untitled’: A Review
Recent currents of a multi-disciplinary practice at starch
Review of ‘Meditations on Shadow Libraries’ at STPI
A comprehensive showcase of Heman Chong’s interests in forms of knowledge and their dissemination
A Review of A VILLAGE BEFORE US
Nine Vietnamese artists at John David Mooney Foundation, Chicago.
