From the Margins 25/01/2022 From the Margins 25/01/2022

My Own Words: Why Do Artists Curate?

Reflecting on ‘We’re Young Once’

From the Margins 01/12/2021 From the Margins 01/12/2021

Integrating Performance Art and Technology

Case Study: Feelers

From the Margins 01/10/2021 From the Margins 01/10/2021

Soundless Worlds: ‘Aesthetics of Silence’

Wei-Ling Gallery features Ivan Lam, Melati Suryadarmo, Arin Rungjang et al.

From the Margins 16/09/2021 From the Margins 16/09/2021

One Year On: Support Measures for Artists

A Look in Singapore and Indonesia

From the Margins 04/08/2021 From the Margins 04/08/2021

Modern Southeast Asian Artists of Note

Kim Lim, Pacita Abad, IGAK Murniasih and more

From the Margins 08/04/2021 From the Margins 08/04/2021

Nổ Cái Bùm in Huế and Đà Lạt

Art as Non-Structural Mitigation in Central Vietnam

From the Margins 14/01/2021 From the Margins 14/01/2021

Indonesian Artists Irwan Ahmett and Tita Salina on Cranial Relics

In ‘Planetary Solidarity’ by Terremoto

From the Margins 28/12/2019 From the Margins 28/12/2019

Bali Art Infrastructure 2019

Diversity of the visual language

From the Margins 18/10/2019 From the Margins 18/10/2019

Larasati October Auction Report

The Balinese art market right now

From the Margins 12/03/2019 From the Margins 12/03/2019

Art Fair Philippines Report

Continued support for local and regional artists

From the Margins 06/12/2018 From the Margins 06/12/2018

A Tale of Two Evening Sales, Repeated

Christie’s Stumbles in its Autumn 2018 Sales

From the Margins 09/11/2018 From the Margins 09/11/2018

Fair Weather for Singapore Art at 33 Auction

Good results for modern whilst contemporary remained at nascent status quo

From the Margins 28/10/2018 From the Margins 28/10/2018

ASIA NOW A Success for Southeast Asian Art

New European collectors for works by emerging artists