Be a part of building
this platform for
Southeast Asian art
My Own Words:
Touching exhibits and letting myself
be touched by being exhibited
By Kukasina Kubaha
Richard Koh Fine Art, Galerie Quynh, Mizuma Gallery, Yeo Workshop, Objectifs, Hyundai Blue Prize+ 2025 Open Call, and Art Hub Copenhagen
‘Red Eagle Sangmorakot: No More Hero In His Story’ wins the Grand Prize
DECK, Wei-Ling Gallery and Wei-Ling Contemporary, Calle Wright, Hong Kong Super March, Arts and Disability Forum, and the 2025 Sovereign Asian Art Prize
Art Fair Philippines 2025, T:>Works, STP Gallery, 10 10 Art Space, Mariam Goodman Gallery, iPreciation Gallery, and Warin Lab Contemporary
Tanoto Art Foundation, Louis Vuitton X Murakami, New Art Museum, Haridas Contemporary, Objectifs, Gajah Gallery, and ART:DIS
International art fair for Singapore and Southeast Asia in January 2025
‘Material Inspirations’ at the Metropolitan Museum of Manila
Điềm Phùng Thị's sculptures at The Outpost Art Organisation, Hanoi
Commissioned by Audemars Piguet Contemporary, presented at Museum MACAN
Among the artist’s most compelling sculptures
Curated by Dr. Apinan Poshyananda
2023 World Press photographs
On turning the traditional museum store model on its head
‘Young Birds from Strange Mountain’ at the Schwules Museum, Berlin
Thinking through alterity with NUS Museum, External Assessment Summer School, and The Artists Village
Three-year collaboration between Heritage Art Space and HfK Bremen
Systemic and policy issues surrounding repatriation
New exhibition format and public programmes at The Vargas Museum
Workshops by tiSamjort collective for Cambodia’s rural communities
Australia’s contribution to the idea of “Asian" or “Asia Pacific” art through print
New directors of Cemeti - Institute for Art and Society
![[ANALYSIS] ‘My Own Words’ is a monthly series which features personal essays by practitioners in the Southeast Asian art community. They deliberate on their locality’s present circumstances, articulating observations and challenges](https://images.squarespace-cdn.com/content/v1/6213069cc62e8c6048531bae/1745398492918-79O1IN3YTRVGKSHH44UK/image-asset.jpeg)
![[ANALYSIS] How can art be used to build alternative pedagogies?
Speaking with Siddharta Perez at NUS Museum (@nusmuseum), Vanessa Ban (vanessa_ban) of External Assessment Summer School (@externalassessment), and Woon Tien Wei (@woontienwei) from The](https://images.squarespace-cdn.com/content/v1/6213069cc62e8c6048531bae/1744890224648-R8IX2XZIZT4SA03857OZ/image-asset.jpeg)
![[NEWS] The 2025 Taoyuan International Art Award (TIAA) exhibition, hosted by the Taoyuan Museum of Fine Arts (TMoFA) (@tmofa_museum) opened at the Taoyuan Arts Center, and runs till 18 May 2025.
In this article, we hear from the exhibiting arti](https://images.squarespace-cdn.com/content/v1/6213069cc62e8c6048531bae/1744628801881-94THU60CSDUEKPLX8FKN/image-asset.jpeg)
![[NEWS] Curated by Bob Edrian (@bobedrian), this solo exhibition of Agus Suwage’s (@asuwage) work highlights the cyclical nature of the artist’s practice. Working iteratively, Suwage deconstructs and re-assembles his works in order to draw](https://images.squarespace-cdn.com/content/v1/6213069cc62e8c6048531bae/1744365526326-ZTBEXX9DZPXIO5JUZU22/image-asset.jpeg)
