Satirical form and intertextuality

Daily practice as a way of life

Honesty in developing a practice

Creating art as a biological process

Meditations on time and image

Malaysian photographer on the limits of photography

Singaporean Artists Chng Seok Tin, Goh Beng Kwan, Jaafar Latiff, Lin Hsin Hsin, Mohammad Din Mohammad and Eng Tow

Young Thai artist writing stories in petals

A Singapore photographer working with cine-cameras

Sex as a necessity

Community art practice in ‘One Hundred Hands’

Presenting gender as myth

A fantastical escape route from reality

Creating the macabre as catharsis

Reconstructing Thai femininity

Inanimate objects as vessels of memory

Bandung artist creates entry points for critical discussions

A conscious engagement with the process of weaving

Performing the personal and the political

Rekindling relationships between human and nature