Community art practice in ‘One Hundred Hands’

Presenting gender as myth

A fantastical escape route from reality

Creating the macabre as catharsis

Reconstructing Thai femininity

Inanimate objects as vessels of memory

Bandung artist creates entry points for critical discussions

A conscious engagement with the process of weaving

Performing the personal and the political

Rekindling relationships between human and nature

Singaporean artist negotiating queer spaces

Rotting flowers and the politics of memory

Resin as a medium and method

Winner of the 2019 Malaysian Emerging Artists Award

An antithesis to the Yogyakarta-Bandung debate

Experimental Vietnamese artist conjures up otherworlds

2017 Bandung Contemporary Art Award recipient

Spatial artist from Bangkok

Pattani artist striving for change

A different perspective on Singapore modern art