A Day in the Life: Chanida Voraphitak
Exploring anthropocentrism and virtual reality in ‘PASSCODE , THE DARK DAY’
The space between the physical and digital world
Negotiating constriction and change through photography
Capturing the peculiarities of everyday life
Reinterpreting scientific concepts and future civilisations
Reimagining a Third World utopia
Merging natural, mythical, and cyber phenomena
Reimagining traditional Malaysian cloth
Rethinking ecological problems and overconsumption
Exploring anthropocentrism and virtual reality in ‘PASSCODE , THE DARK DAY’
Collapsing timelines and conjuring possibilities through fabulations
Reinterpreting objects beyond their forms and functions
Observing and researching surrounding landscapes
‘Tales’ and Monologue Art Gallery
‘Hikayat Wanatentrem’ and ‘Testimonial Object’