Arahmaiani, Fadilah Karim, Ly Yeow and more at National Gallery Singapore
Art Agenda, Fashion & Market, MONO8, Mind Set Art Center and more
Museum of Modern Art, Asia Art Centre, MAMOTH, Tina Kim Gallery, Tai Kwun Contemporary
Objectifs, 42 Waterloo Street, GRiD, Gillman Barracks, Singapore Art Museum, Tanjong Pagar Distripark
Objectifs, 42 Waterloo Street, GRiD, Gillman Barracks, Singapore Art Museum, Tanjong Pagar Distripark
A comprehensive showcase of Heman Chong’s interests in forms of knowledge and their dissemination
A review of Joshua Kon’s ‘Rarely Touched, Often Held’
Inaugural Timor-Leste Pavilion at the 60th Venice Biennale
Collapsing timelines and conjuring possibilities through fabulations
‘Foreigners Everywhere’ highlights overlooked artists, many from Southeast Asia
Tia Ferhana, Wei Ting Wong and Sharrona Valezka
Ruth Marbun, Ella Wijt and Nabila Giovanna.
Berny Tan, Rafi Abdullah, Jennifer Yang
On changing the terms of visibility and finding new words
Nina Boldyreva, Yoko Choi and Renée Ting
![[NEWS] Art Agenda (@artagendasea) opened the sixth exhibition in The Modernist Series in its Jakarta gallery, featuring the modern Indonesian artist Affandi in an exhibition titled ‘Hayat’, or ‘Life’.
The artist painted with](https://images.squarespace-cdn.com/content/v1/6213069cc62e8c6048531bae/1715310012855-PG62CQH0B2TXDSW5670I/image-asset.jpeg)
![[NEWS] Singapore International Festival of Arts 2024 (@sifa_sg), under the directorship of Natalie Hennedige for the third year, is themed “The Declare”, after “Ritual” in 2022 and “Some People” in 2023, under the](https://images.squarespace-cdn.com/content/v1/6213069cc62e8c6048531bae/1715189629494-X8E2OUIZEANAB3FULMCO/image-asset.jpeg)
![[ANALYSIS] Wang Zineng of Art Agenda (@artagendasea) writes about his visit to Venice Biennale 2024 (@labiennale), titled ‘Stranieri Ovunque’ or ‘Foreigners Everywhere’ in his essay titled “Compatriots Everywhere”.](https://images.squarespace-cdn.com/content/v1/6213069cc62e8c6048531bae/1714504502805-XTVLKS0L98Z6YA8HDVEZ/image-asset.jpeg)
![[DIALOGUES] “For me, Timor-Leste art and cultural language contains the essence of femininity. Here, the essence of femininity, the feminine, or femaleness, is attributed to the current tangible, such as textiles, ceramics and basketry, and the](https://images.squarespace-cdn.com/content/v1/6213069cc62e8c6048531bae/1714435613090-52TNTJKZP4OCXOBWNUOJ/image-asset.jpeg)
